Rayon Design industriel
KGID : Konstantin Grcic industrial design

Fiche technique

Format : Relié sous jaquette
Nb de pages : 232 pages
Poids : 1300 g
Dimensions : 21cm X 28cm
EAN : 9780714844312

KGID

Konstantin Grcic industrial design

Chez Phaidon

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Relié sous jaquette 232 pages

Quatrième de couverture

From his initial training as a cabinet-maker, Grcic retains the hands-on approach and sensitivity to materials of a craftsman. His foray into contemporary design at the Royal College of Art in London, added a new dimension to his fascination with making things. As a result, every one of his products is informed by his research into the history of design and architecture, and a passion for technology. The book presents the work of KGID, show-casing a remarkable portfolio and offering a rare insight into the design process through the various stages of a product's development. Conceived by Florian Böhm and Konstantin Grcic and generously illustrated with sketches, computer renderings and photographs, this is the first publication on one of the most interesting and prolific designers working today.

Biographie

Young German designer Konstantin Grcic, winner of the Compasso d'Oro (Milan, 2001) among other awards, is an established figure in the international scene. He has received numerous commissions from such prestigious names in the design industry as Authentics, Flos, iittala, Krups, Magis and Muji, and his work has been widely featured in several books and design reviews.

Konstantin Grcic (b. 1965) graduated from the Royal College of Arts in London before setting up his practice KGID (Konstantin Grcic Industrial Design) in 1991. He has developed furniture, products and lighting for some of the leading names of the international design industry and has received various international awards for his work. The Mayday lamp was the winner of the Compasso d'Oro in 2001 and was selected for the permanent collection of the Museum of Modern Art in New York. He lives and works in Munich.

Florian Böhm (b. 1969) was founding partner and director of Scheppe Böhm Associates (1994-2003), a multi-disciplinary creative office developing corporate communication identities for brands, such as Benetton and Vitra, and for Austria. He was co-author of the book and photographic study Endcommercial® (2002). His work has been exhibited at KunstWerke Institute for Contemporary Art, Berlin, Storefront for Art and Architecture, New York, Fondation Cartier pour l'art contemporain, Paris, and Haus der Kunst, Munich among others. In 2004 he set up Florian Böhm Office in Munich and New York, which focuses on photography, visual research and publishing.

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