Making sense of music

Musical signification has been implicitly discussed for a long time in work on music. Only recently has it been established as an explicit discipline, focusing mainly on sense-making as a major constituent of signification and meaning. A number of questions are still pending. How does one deal with the tensions between an object-centered approach to music and a subjective, cognitive, and hermeneutic approach to musical sense-making ? Is there a distinction in content and methodology ? How can the objective and the subjective, the art-work and the receiver, the immanent meaning and the attributed meaning be brought together ? Making Sense of Music is an attempt to answer these questions through the insights of several diverging fields. Revolving around the central concept of musical sense-making, this volume includes 31 contributions of scholars from 18 countries, which encompass semiotic musical analysis and phenomenological, hermeneutic, and/or cognitive approaches.