The stage & the city : non-elite characters in the tragedies of Sophocles

Fiche technique

Format : Broché
Nb de pages : 267 pages
Poids : 500 g
Dimensions : 16cm X 24cm
Date de parution :
ISBN : 978-2-7018-0430-9
EAN : 9782701804309

The stage & the city

non-elite characters in the tragedies of Sophocles

de

chez De Boccard

Collection(s) : Chorégie

Paru le | Broché 267 pages

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Quatrième de couverture

The relationship between Classical Athenian tragedy and democracy remains a much-discussed problem which deserves to be examined from as many points of view as possible. Although Sophocles has sometimes been seen as less tied to his contemporary world than other authors, his works are nonetheless closely related to their democratic context, both as a product of their time and as a means of encouraging their audiences to reflect on major political questions.

This book explores the staging of non-elite characters in the seven extant tragedies of Sophocles and how they related to contemporary middling citizens. The structure of fifth-century Athenian society underwent deep changes between the early and late plays of Sophocles. The appearance and growing political importance of a middling socio-political group of citizens played a crucial role in the development of Athenian democracy and this phenomenon is closely linked to the way in which non-elite characters are presented in Sophocles' plays.

To lead to a better understanding of the links between Sophoclean tragedies and democracy, the book analyses the text of Sophocles' extant plays as carefully as it examines the structure of Athenian society on the basis of both historical and archaeological sources.

The performances of Sophocles' tragedies not only reflected changes that took place in the structure of contemporary society but also fostered such changes by attributing increasingly active roles to characters with whom middling citizens could easily identify.

Biographie

Elodie Paillard is currently a Visiting Researcher at the Centre for Classical and Near Eastern Studies of Australia and the Department of Classics and Ancient History at the University of Sydney. Her research project focuses on Greek theatre in Early Imperial Rome and Campania. Her stay at the University of Sydney, during which she also revised her PhD thesis for the publication of the present book, is sponsored by the Swiss National Science Foundation.